Microphones
Frequency
Generally divided into three groups:
Low-frequency: tuba
Mid-range: human voice
High-frequency: flutes/piccolo
Different mics are built to pick up different frequencies of sound
Type (Generating Element)
Dynamic: diaphragm that vibrates a small coil housed in a magnetic field
Ribbon: thin ribbon of metal surrounded by a magnetic field
Condenser: thin piece of metal foil or coated film
Pick-Up Pattern
Cardoid/Supercardoid/Hypercardoid: recording specific instruments/sounds, choose depending on sensitivity
Shotgun: sound far away or dialogue without ambient noise
Omnidirectional: ambient noise or when microphone positioning is inconsistent
Mounts
On-Camera: solo-shooting, recording live, “scratch” audio
Handheld: when don’t have time to set up, recording dialogue live
Stand: stationary recording like in a studio or on stage
Shotgun/Boom: record dialogue without the mic visible
Lav: record dialogue discreetly, person moving around
Cabling
Wired: cable attached to the camera or recorder
very reliable
Wireless: mic has a radio transmitter w/ antenna, sends through the air
prone to interference
3.5mm jacks (small) vs. XLR (large)
Filter/Screen
Foam Windscreen
minimize wind/ambience noise
faux fur (dead cat): can be used on top of the foam
Pop Filter/Screen
reduce or eliminate plosives (bursts of air maade when p/b pronounced
used indoors in recording studios
Our On-Camera Mics: RODE VideoMic GO
Frequency: 100Hz - 16kHz (low-high)
Type: Condenser
Pick-Up Pattern: Supercardioid
Mount: On-Camera
Cabling: Wired (3.5mm stereo jacks)
Filter/Screen: Foam windscreen