Principles of Design
Principles of Design
If the elements of art are your ingredients, then the principles of design are your recipes for how to use those elements of art.
Unity (same)
Repetition
Alignment/Margins
Balance:
Formal/Symmetrical
Informal/Asymmetrical
Variety (different)
Contrast
Rule of Thirds
Emphasis
Hierarchy/Movement
Repetition vs. Contrast
Repetition
Something happens again
Maybe you create a pattern
Maybe you create rhythm
Contrast
The degree of difference
Low contrast: slightly different
High contrast: very different
Margins
The space between elements and the edge of the paper, an invisible line.
Give eyes a place to rest, create white/negative space.
Recommendations:
Printed: ¼ inch margins (minimum)
8.5x11 (Letter): ½ inch margins (at least)
11x17 (Tabloid): 1 inch margins (at least)
Inside or Outside margins?
Text: Inside
Logos: Inside
Photos/Illustrations: Either
Background: Outside
Alignment
(put in a line)
Arrange your design so all the different elements look united.
Text alignment: left aligned, right aligned, center aligned, justified
Object alignment: horizontal or vertical, left/center/right
Rule of Thirds
(3 columns / 3 rows)
Invisible guides
The lines meet at four “intersections” (top-left, top-right, bottom-left, bottom-right)
The human eye naturally lands on these points more
Emphasis
Create a focal point
What do you see first?
You will usually use contrast to create a focal point
Movement/ Hierarchy
(order, rank, sequence)
Where does your viewer look at next, then next, etc.?
Common ways to create emphasis and hierarchy: contrast in size/color
50% Guideline
Each step in the hierarchy should be about half as big as the step above it.
Divide by 2!
Warm vs. Cool Colors
The wavelengths of warm colors are longer so your eyes see them sooner!
Warm colors appear to advance, or come forward
Cool colors appear to recede or go back in space
Balance
An even distribution of visual weight to look and “feel” stable
Elements can be balanced by size, complexity, color, and direction
Formal/ Symmetrical
Same visually on both sides (mirrored)
Approximately symmetrical
Radially symmetrical
Quiet and static
Informal/ Asymmetrical
Different visually on either side
dynamic, engaging, creates a sense of energy and movement
How to Create Balance
Establish an axis
Decide if you want to use approximate formal/symmetrical balance or informal/asymmetrical balance
For formal/symmetrical: mirror each side
For informal/asymmetrical:
Use knowledge, perception and “feeling” (requires practice)
There is no right or wrong way